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The Soggy Po' Boys, native to New England, have quickly become an institution. They are spreading the good news of New Orleans music across the northeast and beyond, playing at concert halls and street corners; music festivals and burlesque festivals; bars and libraries; wherever the party requires. Part of the beauty of New Orleans music is that it's celebrated and appreciated wherever it goes, from the street to the theater. The Po' Boys formed in 2012 to shake the walls…Find out more »
Hiroya is a one-of-a-kind composer, guitarist and singer-songwriter from Kyoto, Japan. He began playing the five-string banjo when he was thirteen, and took up the guitar shortly after. In 2000, Hiroya received a scholarship to Berklee College of Music and came to the United States. He formed his own group in Boston “INTEROCEANICO (inter-oceanic)” which consists of unique musicians from different continents including Latin Grammy Colombian singer Marta Gomez. The group released three acclaimed records (“The Other Side of the…Find out more »
Although their sound is rooted in traditional bluegrass, Mile Twelve surveys a broader landscape on their newest album, City on a Hill. All five band members bring their own influences and observations into the music, resulting in a project that feels contemporary, thoughtfully crafted, and relevant. “Original bluegrass music, written and played by young people, is very much alive,” says band member Evan Murphy. “I hope people take away that songwriting and arranging really matter. It’s about the material and…Find out more »
In their early days, Damn Tall Buildings didn’t rehearse – they busked. Now, whether live or on record, the band still radiates the energy of a ragtag crew of music students playing bluegrass on the street. But anchoring that energy is their instrumental chops, their strong songwriting, and their varied influences that stretch beyond bluegrass, even beyond American roots music altogether. Whether sharing lead vocals and instrumental solos or blending their voices into loose, joyous harmony, the four members of Damn…Find out more »
The Wildmans come from the hills of Floyd, Virginia, in the heart of the Appalachian mountain music tradition. From campsite jamming at festivals and fiddler's conventions and a college level music education comes the foundation for musical exploration that sets this group apart, taking the audience on a musical journey that reflects the growth and passion of these talented musicians. The band features award winning players: Eli Wildman, first place winner in mandolin at the Galax Old Fiddler’s Convention, 2018…Find out more »
Sincerity, pathos and powerhouse vocals. “Polished yet rootsy Chicago outfit Empty Pockets” (Rolling Stone) celebrates old-school classic rock, folk, and the blues, skillfully blending singer/songwriter catharsis with rich harmonies and real players. Bold Americana flavors straight from the soul. When not busy recording in their personal studio, The Empty Pockets are out on the road headlining or opening for acts like Bob Schneider, Rev. Peyton’s Big Damn Band, Dickey Betts (Allman Brothers) and Dave Mason (Traffic), among many others. They also have passionately served as backing band for a number of…Find out more »
Meet the Parade.. David Mayfield - acoustic guitar, mandolin, & vocals Christine King - fiddle, upright bass, & vocals Andrew Bonnis - Upright bass, acoustic guitar, & vocals Steven Moore - 5-string banjo & vocals Doors: 6:30pm | Showtime: 7:30pm Thank you to our series sponsors:Find out more »
Start with excellently matched vocals, add some world-class playing, sprinkle with raised-off-grid Americana and you get Low Lily. Flynn’s deft flatpicking on guitar and mandolin and Lissa’s virtuosic fiddle-playing are grounded by Liz’s percussive rhythm guitar playing, the sounds of which combine joyously in this stunning ensemble. With a vocal blend that has been dubbed “outstanding” and “meticulous,” Low Lily’s cohesive sound comes naturally for musicians whose lives have been entwined on the road and onstage for almost two decades.…Find out more »
Described as a “fevered” and “theatrical” performer with “a taste for the dramatic” (New York Times), having “remarkably strong, rich tone, terrific rhythm drive and technical brilliance” (Whole Note), and “adventurous musical personality” (Classical Modern Music), Barbora Kolářová is recognized as one of the foremost violinists to emerge from the Czech Republic in recent years. Ms. Kolářová is an artist of creative balances, always looking back and looking forward to find new fulcrums between past and present. Trained in the…Find out more »
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